There is a strong probability that the last conference you went to was the best you have been to, at least that is, until the next one. The sixth annual Art of Record Production Conference which we had the privilege to host was very much a case in point. With a record number of papers submitted to the conference it proved to be a stimulating event building on the thinking and experience of five previous conferences while opening up new avenues of thought for our field. In this way, there was an element of continuity between this and previous conferences while, at the same time new presenters provided fresh perspectives on the issues concerning those of us interested in the Art of Record Production. Change and continuity is an inherent feature of any annual conference and the same theme provides the focus for the papers in this edition of JARP.
The title of this journal and organization asserts the notion that record production is a mode of creative expression. And indeed, turning musical utterance into electrical current requires, by the project’s very nature, an intervening aesthetic sensibility which may, in turn, impinge on the final result. Recording does not simply capture sound, it transforms it […]
The first issue of a new academic journal is if nothing else an exciting moment in the sociology of knowledge! Why this particular set of interests now? Why can’t they be expressed in existing publications? Is this the first map of a new field or just another subplot on an existing disciplinary site? What does this journal mean for the development of new concepts and methodologies?