The ‘Brazilian Electronica’ Of César Camargo Mariano And Prisma (1984-7): Hybridization Or Tradition?

Mixing Synthesizers and Brazilian Music This paper discusses the work of the Prisma project, which happened between 1984 and 1987 and whose main purpose was to introduce synthesizers and MIDI technologies to the tradition called música popular brasileira (‘Brazilian popular music’; the anacronym ‘MPB’ is widely used as well) as a significant purpose of their […]