The so-called spatial turn in philosophy, cultural studies, geography, art history, and literary studies has not been connected with the analysis of space in recorded music. This article reviews a number of the most influential concepts of thinkers’ associated with the spatial turn (Foucault, Harvey, Soja, Cosgrove, Jameson, Bachelard, Lefebvre) and connects them with the literature on space in recorded music. This can offer new insights to the understanding of space in music, particularly by helping us address questions of the ontology of recorded music and explaining the social production of space in music.
Introduction This paper discusses the use of non-studio recording practices in the staging of ensemble vocal performances in contemporary rock music production. The paper analyses the production process and resultant audio examples from a record produced by the author in 2011-12. The methodology for this research is practice-led, and at times auto-ethnographic, drawing on similar […]